SLIDE 1
·
Introduce
myself
SLIDE 2 – WHY
ILLUSTRATION?
·
I came from
a fashion design background but didn’t enjoy the extreme competitive nature of
the course.
·
Really
enjoyed drawing & designing & being creative and didn’t know where that
would take me.
SLIDE 3 – TIME ON THE
COURSE
·
During first
and second year my practice evolved a lot.
·
The fact I
was willing to try new things & be exhaustive with media trials helped me
to understand that I’m an analogue maker.
·
In second year
I especially enjoyed applying my practice to product as it meant I could
combine my understanding of fashion with my fun image making.
·
I started to
develop an abstract/ organic tone of voice which informs my practice even now.
SLIDE 4 – A YEAR TO REFLECT
·
I took a
year out between second and third year which I struggled with initially but
turned out to be the best decision I’ve ever made.
·
It gave me
the time to reflect on who I am as an individual, what I want out of the
course, and what is important to me as a maker.
·
This came
from listening to a great deal of podcasts, audiobooks, and watching lots of
comedy all in relation to being a woman in this day & age.
SLIDE 5 – A CHANGE IN
CONTENT
·
This reading
had a massive impact on the kind of content my work has focused on this year.
·
A lot of
projects I have aimed my work at this year have touched on issues of
femininity, feminism, well-being and existing in a time of huge social
pressures as a young person.
SHOW SLIDES 5 – 8
·
On
reflection, I feel the most proud of these projects than I have any others
because I felt so engaged with my practice when I was producing them. Something
seemed to click.
·
They really
portray an earthy and honest tone of voice and I think this genuine engagement
really shows in the successes of the final outcomes.
·
I definitely
want to keep showing this tone of voice throughout my future practice.
SLIDE 9 – CONTENT VS
CONTEXT
·
The fact
I’ve focused really hard on the content of my work throughout the year has
definitely meant my communication skills as an illustrator have grown.
·
However, I
definitely think there is a way to produce both beautiful imagery for product
and it still convey a message or tone of voice. They don’t have to be separate
and I think that is where the projects before have been lacking.
·
This is
something I want my practice to be known for therefore I’m going to capitalise
on it in my end of year show project.
SLIDE 10/ 11 – SHOW
PROJECT
·
My final
show project I’m currently working on is inspired by being brought up in a clan
of sisters. My personal relationships with them and the fact I identify myself
as a sister has been really informative of my person and I think many other
people can relate to this.
·
The project
will take drawn imagery into fabric screen-print and hopefully a patchworked
quilt showing how product can inform content and story-telling. I think it will
completely bring together my practice and demonstrate what I am all about as a
maker.
SLIDE 12 – OUT IN THE
WORLD
·
How has my
work progressed in the real world?
SLIDE 13 – VESTITUS
·
From my
online presence I have been asked to produce designs for a paid collaboration
with a clothing brand called Vestitus to make a series of printed t-shirts.
·
The project
is still in the early stages however it’s been really nice to have been
approached as a result of my content and professionalism online.
·
It’s also
really reassuring that my work is driving future work within a fashion context
as this is definitely where I want my practice to progress.
SLIDE 14 – PRINT STUFF
·
As well as
live collaboration project I have been able to get my work out there in the
real world by doing print stuff print fair in York with Aimee and Alex on the
course.
·
Because my
practice is focusing on product this will be a great opportunity to see how
successful my products are with sales.
·
It will also
allow me to network and get my name out there for future sales, and also future
collaborations with other creatives selling there.
SLIDE 15 – WHERE DO I
SEE MYSELF?
·
Having time
to reflect in my year out and in the last couple of months I know I definitely
don’t want to be employed by a design house, especially if that means living in
London.
·
Therefore, I
think being a freelance designer is the way forward for my practice.
·
I want there
to be focus on starting up my own business selling products online and at art
fairs, whilst if any collaborative projects, local exhibitions and or paid
freelance design work comes up I will turn my hand to it.
·
I think it
will be beneficial to apply for the creative in residence position here so I
can make use of the facilities whilst I’m still growing as a maker.
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